I finally finished listening to the audio book version of Sonia Hartnett’s book, Butterfly, which has made the shortlist for the 2010 Miles Franklin Award. Reading the blurb on the back, I assumed that the book was aimed at the young adult reader as the main character was 13 years old. However, once I got into the story I found that I didn’t really think that it would appeal to the young adult reader, and there was a quite a few things about it that made me think that I wouldn’t want my young adult reader reading it yet, so maybe the author intended it for an adult readership. I’m confused.
The novel revolves around a typical family – a mother and a father who we don’t learn too much about, and their three children, Justin, Cyder, and Ariella, whom the family calls Plum. The story is mainly told from teenage Plum’s perspective, not usually a main character that appeals to adults. Plum is experiencing all the teenage woes of pimples, feeling fat and unattractive, and being on the fringes of a group of friends to whom she clings even though she doesn’t really like the girls, because having no friends at all is worse. To top it off, Plum’s house is old; its furnishings are old; not at all like the cool houses of her friends, and her parents are embarrassing. Sounds like a young adult novel so far. The only redeeming part of her life is her two older brothers who we eventually discover to be in their early twenties, not teenagers as I originally thought. Justin and Cyder are very cool – dark, handsome, and dressed in black. So far so good, I’m reading a young adult novel.
As I get further in to the novel, I start to change my mind. After a while, I realise that the novel is set during the 1980’s. This seems a bit strange for a young adult novel as this period is not history and not contemporary but somewhere in between. Populated by strange clothing such as knickerbockers, references to bands and movies that the current generation are unlikely to have heard of (Logan’s Run, Planet of the Apes to name two), descriptions of the glass and steel furniture typical of the period, and the black and white, egg shape TV that Plum covets, seem to just add to the sense of not knowing where you are. As someone who was a teenager during the 1980’s, it is not an era that I particularly want to revisit now that I am an adult, and I can just hear my teenage son – “it’s so dated”.
I found Plum’s relationship with her parents difficult to understand. With one TV per house in those days, I would not have stayed up as late as Plum gets to do at thirteen and even if I had, I would have been watching what my parents watched. The parents are portrayed as subservient to their children, while the other adult in the story encourages Plum to be a friend even though they had little contact in the past. I found this hard to believe as my recollection was that my father was always right, and while children had a lot of physical freedom there was not as much interaction with adults. I think that parents today are more likely to try to be friends and to discuss choices with their children than they were when I was growing up.
The novel mixes the trials of adolescence with the more mature themes of one of the brothers having a love affair with neighbour, and the brother's use of drugs, neither of which sat comfortably with my assumption this was a novel for young adults. I found Plum to be a character that I didn’t believe in, certainly not very likeable. I don’t enjoy reading a novel where the character is written in such a negative way, as Plum is in this book. It’s like a comedy movie where you’re laughing at someone rather than with them. I also found the author’s constant use of metaphors to be very annoying and affected my ability to take in the plot. I hate to say it but I cringed a lot as I listened driving around Melbourne.
All in all, I can’t say I think it is a good example of young adult fiction, and as an adult I’m not sure that I would want to read this for pleasure. If this hadn’t been an audio book version that I listened to in the car, I think I would have given up on it. To me, Butterfly seems to be for readers who like a lot of “literary” in their fiction, and read for the words, not for the story.
Showing posts with label Literary Fiction. Show all posts
Showing posts with label Literary Fiction. Show all posts
Thursday, May 13, 2010
Friday, March 26, 2010
Popular vs Literary Fiction
Melbourne’s Wheeler Centre for Books has an impressive range of events listed in their promotional brochure, so recently I went to check out one of their Lunchbox/Soapbox talks. The title of the talk appealed to my funny bone as it was “In Defense of Trash Fiction” and given the huge sales of books by authors such as Dan Brown and Stephanie Meyer, there are many people who read this type of book but don't admit to it. The session was led by Toni Jordan, a Melbourne based author whose debut book, “Addition” which was published in 2007.
Toni was an amusing and eloquent speaker and made some interesting comparisons between popular (she thought that was nicer than “trash”) and literary fiction. Firstly, what popular fiction is not. It is not read for the “beauty of its narrative or the poetry of its sentences”. The characters in popular fiction are not deeply developed. Where popular fiction wins is in the story. Most people will finish a popular fiction book as the aim of the author is to ensure that the reader keeps turning the page. Toni uses the example of Dan Brown's The Da Vinci Code to demonstrate, as the main characters seem to running for the lives in every chapter leaving us wanting more. We read popular fiction to be entertained and taken away from what we are doing now, be it caring for young children, working in a stressful job, or lying on a beach on holiday.
In comparison, literary fiction is seen as beautifully written with vivid and dialogue, “complexity of themes”. and maybe, a thought provoking message to deliver. However, this can mean that sometimes it is hard to keep with the plot. I have to confess that I have been known to skim whole paragraphs in my desperation to get back to the story in some books. Reading literary fiction has a certain snob appeal for many of us, to show how clever we are, and often we start one of these books but never finish it. I can relate to this with A Fraction of the Whole by Steve Tolz which was not my cup of tea at all. In literary fiction, the characters are often not likeable or are generally of the odd variety and I quote from Toni's talk, “literary fiction has characters that if they were real people sitting next to you on the train, you would get up and move to another carriage”.
Toni was an amusing and eloquent speaker and made some interesting comparisons between popular (she thought that was nicer than “trash”) and literary fiction. Firstly, what popular fiction is not. It is not read for the “beauty of its narrative or the poetry of its sentences”. The characters in popular fiction are not deeply developed. Where popular fiction wins is in the story. Most people will finish a popular fiction book as the aim of the author is to ensure that the reader keeps turning the page. Toni uses the example of Dan Brown's The Da Vinci Code to demonstrate, as the main characters seem to running for the lives in every chapter leaving us wanting more. We read popular fiction to be entertained and taken away from what we are doing now, be it caring for young children, working in a stressful job, or lying on a beach on holiday.
In comparison, literary fiction is seen as beautifully written with vivid and dialogue, “complexity of themes”. and maybe, a thought provoking message to deliver. However, this can mean that sometimes it is hard to keep with the plot. I have to confess that I have been known to skim whole paragraphs in my desperation to get back to the story in some books. Reading literary fiction has a certain snob appeal for many of us, to show how clever we are, and often we start one of these books but never finish it. I can relate to this with A Fraction of the Whole by Steve Tolz which was not my cup of tea at all. In literary fiction, the characters are often not likeable or are generally of the odd variety and I quote from Toni's talk, “literary fiction has characters that if they were real people sitting next to you on the train, you would get up and move to another carriage”.
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